Those who cultivate independent creativity within their communities despite the struggle required are among today's strongest social revolutionaries ...some whisper and some yell but they are all expressing a single practical truth: individual freedom grows from self-determined activity...let's get free & live like we mean it! You can't give something til you have something to give...INSPIRE YOURSELF & INSPIRE YOUR LIFE!! RIGHT NOW!! Yesterday is history & tomorrow is a mystery, but the Present is a Gift!

Sunday, December 25, 2005

Graffiti as Poetry and Science

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It is poetic in that words connoted, denoted and outright symbolized take on and exhibit meanings intended and non-intended by the author.
Text becomes texture and vice versa. The act itself is loaded with poetic significance. What begins as merely a name being manipulated through letters and flung against a surface becomes perceived as a scream. An action, a license to seize. What begins as prank ends as poetry.

It is a science in that the action/signal is both calculated and methodical. In many ways the tradition is formulaic but like all traditions, data passed down is expanded or reduced thus (d)evolving the form. The effort requires both improvisation and precision. Like a musical instrument, anyone can pick at a piano or guitar and make musical sounds, but few can claim that they are masters of any musical instrument; anyone can pick up a can of paint and write on a wall, but not many can say they are masters of the sciences required to produce graffiti. Time and exercise create proficiency.

SEVEN
www.graffiti.org

Cell Phone Radiation


Can you Hear me Now?
Originally uploaded by jennilaineblack.
Cell phone radiation levels
By CNET staff (updated December 13, 2005)
What it all means

According to the Cellular Telecommunications Industry Association (CTIA), SAR or specific absorption rate is "a way of measuring the quantity of radiofrequency (RF) energy that is absorbed by the body." For a phone to pass FCC certification, that phone's maximum SAR level must be less than 1.6W/kg (watts per kilogram). In Europe, the level is capped at 2W/kg. The SAR level listed in our chart represents the maximum SAR level with the phone next to the ear, a level obtained through required FCC tests.

It's important to note that in publishing this list are we in no way implying that cell phone use is or isn't harmful to your health. While research abounds and some tests have shown that cell phone radiofrequency (RF) could accelerate cancer in laboratory animals, the studies have not been replicated. Cell phones can affect internal pacemakers, but there is not conclusive or demonstrated evidence that they cause adverse health affects in humans. So in short, the jury is still out, research is ongoing, and we will continue to monitor its results.

If your phone isn't listed here (U.S. customers) and you've purchased it within the last few years (the FCC Web site currently does not provide information on models certified before 1998), you can request the SAR information from the manufacturer or your carrier. You'll need the model number and FCC ID number, which is usually but not always listed in your owner's manual or under your phone's battery (you must pop the battery out).

10 highest U.S. models

Audiovox
Kyocera
LG
Motorola
Nextel
Nokia
Samsung
Sanyo
Siemens
Sony Ericsson

Thursday, December 22, 2005

the failure of symbolic thought

100 Horrors by dimitri

running on emptiness
the failure of symbolic thought

by John Zerzan

"If we do not 'come to our senses' soon, we will have permanently forfeited the chance of constructing any meaningful alternatives to the pseudo-existence which passes for life in our current 'Civilization of the Image.'" David Howes

To what degree can it be said that we are really living? As the substance of culture seems to shrivel and offer less balm to troubled lives, we are led to look more deeply at our barren times. And to the place of culture itself in all this.

An anguished Ted Sloan asks (1996), "What is the problem with modernity? Why do modern societies have such a hard time producing adults capable of intimacy, work, enjoyment, and ethical living? Why is it that signs of damaged life are so prevalent?" According to David Morris (l994), "Chronic pain and depression, often linked and occasionally even regarded as a single disorder, constitute an immense crisis at the center of postmodern life." We have cyberspace and virtual reality, instant computerized communication in the global village; and yet have we ever felt so impoverished and isolated?

Just as Freud predicted that the fullness of civilization would mean universal neurotic unhappiness, anti-civilization currents are growing in response to the psychic immiseration that envelops us. Thus symbolic life, essence of civilization, now comes under fire.

It may still be said that this most familiar, if artificial, element is the least understood, but felt necessity drives critique, and many of us feel driven to get to the bottom of a steadily worsening mode of existence. Out of a sense of being trapped and limited by symbols comes the thesis that the extent to which thought and emotion are tied to symbolism is the measure by which absence fills the inner world and destroys the outer world.

We seem to have experienced a fall into representation, whose depths and consequences are only now being fully plumbed. In a fundamental sort of falsification, symbols at first mediated reality and then replaced it. At present we live within symbols to a greater degree than we do within our bodily selves or directly with each other.

The more involved this internal representational system is, the more distanced we are from the reality around us. Other connections, other cognitive perspectives are inhibited, to say the least, as symbolic communication and its myriad representational devices have accomplished an alienation from and betrayal of reality.

This coming between and concomitant distortion and distancing is ideological in a primary and original sense; every subsequent ideology is an echo of this one. Debord depicted contemporary society as exerting a ban on living in favor of its representation: images now in the saddle, riding life. But this is anything but a new problem. There is an imperialism or expansionism of culture from the beginning. And how much does it conquer? Philosophy today says that it is language that thinks and talks. But how much has this always been the case? Symbolizing is linear, successive, substitutive; it cannot be open to its whole object simultaneously. Its instrumental reason is just that: manipulative and seeking dominance. Its approach is "let a stand for b" instead of "let a be b." Language has its basis in the effort to conceptualize and equalize the unequal, thus bypassing the essence and diversity of a varied, variable richness.

Symbolism is an extensive and profound empire, which reflects and makes coherent a world view, and is itself a world view based upon withdrawal from immediate and intelligible human meaning.

James Shreeve, at the end of his Neanderthal Enigma (l995), provides a beautiful illustration of an alternative to symbolic being. Meditating upon what an earlier, non-symbolic consciousness might have been like, he calls forth important distinctions and possibilities:

...where the modern's gods might inhabit the land, the buffalo, or the blade of grass, the Neanderthal's spirit was the animal or the grass blade, the thing and its soul perceived as a single vital force, with no need to distinguish them with separate names. Similarly, the absence of artistic expression does not preclude the apprehension of what is artful about the world. Neanderthals did not paint their caves with the images of animals. But perhaps they had no need to distill life into representations, because its essences were already revealed to their senses. The sight of a running herd was enough to inspire a surging sense of beauty. They had no drums or bone flutes, but they could listen to the booming rhythms of the wind, the earth, and each other's heartbeats, and be transported."

Rather than celebrate the cognitive communion with the world that Shreeve suggests we once enjoyed, much less embark on the project of seeking to recover it, the use of symbols is of course widely considered the hallmark of human cognition. Goethe said, "Everything is a symbol," as industrial capitalism, milestone of mediation and alienation, took off. At about the same time Kant decided that the key to philosophy lies in the answer to the question, "What is the ground of the relation of that in us which we call 'representation' to the object?" Unfortunately, he divined for modern thought an ahistorical and fundamentally inadequate answer, namely that we are simply not constituted so as to be able to understand reality directly. Two centuries later (1981), Emmanuel Levinas came much closer to the mark with "Philosophy, in its very diachrony, is the consciousness of the breakup of consciousness."

Eli Sagan (1985) spoke for countless others in declaring that the need to symbolize and live in a symbolic world is, like aggression, a human need so basic that "it can be denied only at the cost of severe psychic disorder." The need for symbols — and violence - did not always obtain, however. Rather, they have their origins in the thwarting and fragmenting of an earlier wholeness, in the process of domestication from which civilization issued. Apparently driven forward by a gradually quickening growth in the division of labor that began to take hold in the Upper Paleolithic, culture emerged as time, language, art, number, and then agriculture.

The word culture derives from the Latin cultura, referring to cultivation of the soil; that is, to the domestication of plants and animals—and of ourselves in the bargain. A restless spirit of innovation and anxiety has largely been with us ever since, as continually changing symbolic modes seek to fix what cannot be redressed without rejecting the symbolic and its estranged world.

Following Durkheim, Leslie White (1949) wrote, "Human behavior is symbolic behavior; symbolic behavior is human behavior. The symbol is the universe of humanity." It is past time to see such pronouncements as ideology, serving to shore up the elemental falsification underneath a virtually all-encompassing false consciousness. But if a fully developed symbolic world is not, in Northrop Frye's bald claim (1981), in sum "the charter of our freedom," anthropologist Clifford Geertz (1965) comes closer to the truth in saying that we are generally dependent on "the guidance provided by systems of significant symbols." Closer yet is Cohen (1974), who observed that "symbols are essential for the development and maintenance of social order." The ensemble of symbols represents the social order and the individual's place in it, a formulation that always leaves the genesis of this arrangement unquestioned. How did our behavior come to be aligned by symbolization?

Culture arose and flourished via domination of nature, its growth a measure of that progressive mastery that unfolded with ever greater division of labor. Malinowski (1962) understood symbolism as the soul of civilization, chiefly in the form of language as a means of coordinating action or of standardizing technique, and providing rules for social, ritual, and industrial behavior....

It is our fall from a simplicity and fullness of life directly experienced, from the sensuous moment of knowing, which leaves a gap that the symbolic can never bridge. This is what is always being covered over by layers of cultural consolations, civilized detouring that never recovers lost wholeness. In a very deep sense, only what is repressed is symbolized, because only what is repressed needs to be symbolized. The magnitude of symbolization testifies to how much has been repressed; buried, but possibly still recoverable.

Imperceptibly for a long while, most likely, division of labor very slowly advanced and eventually began to erode the autonomy of the individual and a face-to-face mode of social existence. The virus destined to become full-blown as civilization began in this way: a tentative thesis supported by all that victimizes us now. From initial alienation to advanced civilization, the course is marked by more and more reification, dependence, bureaucratization, spiritual desolation, and barren technicization.

Little wonder that the question of the origin of symbolic thought, the very air of civilization, arises with some force. Why culture should exist in the first place appears, increasingly, a more apt way to put it. Especially given the enormous antiquity of human intelligence now established, chiefy from Thomas Wynn's persuasive demonstration (1989) of what it took to fashion the stone tools of about a million years ago. There was a very evident gap between established human capability and the initiation of symbolic culture, with many thousands of generations intervening between the two.

Culture is a fairly recent affair. The oldest cave art, for example, is in the neighborhood of 30,000 years old, and agriculture only got underway about 10,000 years ago. The missing element during the vast interval between the time when I.Q. was available to enable symbolizing, and its realization, was a shift in our relationship to nature. It seems plausible to see in this interval, on some level that we will perhaps never fathom, a refusal to strive for mastery of nature. It may be that only when this striving for mastery was introduced, probably non-consciously, via a very gradual division of labor, did the symbolizing of experiences begin to take hold.

But, it is so often argued, the violence of primitives - human sacrifice, cannibalism, head-hunting, slavery, etc. — can only be tamed by symbolic culture/civilization. The simple answer to this stereotype of the primitive is that organized violence was not ended by culture, but in fact commenced with it. William J. Perry (1927) studied various New World peoples and noted a striking contrast between an agricultural group and a nondomesticated group. He found the latter "greatly inferior in culture, but lacking [the former's] hideous customs." While virtually every society that adopted a domesticated relationship to nature, all over the globe, became subject to violent practices, the non-agricultural knew no organized violence. Anthropologists have long focused on the Northwest Coast Indians as a rare exception to this rule of thumb. Although essentially a fishing people, at a certain point they took slaves and established a very hierarchical society. Even here, however, domestication was present, in the form of tame dogs and tobacco as a minor crop.

We succumb to objectification and let a web of culture control us and tell us how to live, as if this were a natural development. It is anything but that, and we should be clear about what culture/civilization has in fact given us, and what it has taken away.

The philosopher Richard Rorty (1979) described culture as the assemblage of claims to knowledge. In the realm of symbolic being the senses are depreciated, because of their systematic separation and atrophy under civilization. The sensual is not considered a legitimate source of claims to truth.

We humans once allowed a full and appreciative reception to the total sensory input, what is called in German umwelt, or the world around us. Heinz Werner (1940, 1963) argued that originally a single sense obtained, before divisions in society ruptured sensory unity. Surviving non-agricultural peoples often exhibit, in the interplay and interpenetration of the senses, a very much greater sensory awareness and involvement than do domesticated individuals (E. Carpenter 1980). Striking examples abound, such as the Bushmen, who can see four moons of Jupiter with the unaided eye and can hear a single-engine light plane seventy miles away (Farb 1978).

Symbolic culture inhibits human communication by blocking and otherwise suppressing channels of sensory awareness. An increasingly technological existence compels us to tune out most of what we could experience. The William Blake declaration comes to mind:

"If the doors of perception were cleansed, everything would appear to man as it is, infinite. For man has closed himself up, 'till he sees all things through narrow chinks of his cavern."

Laurens van der Post (1958) described telepathic communication among the Kung in Africa, prompting Richard Coan (1987) to characterize such modes as "representing an alternative, rather than a prelude to the kind of civilization in which we live."

In 1623 William Drummond wrote, "What sweet contentments doth the soul enjoy by the senses. They are the gates and windows of its knowledge, the organs of its delight." In fact, the "I," if not the "soul," doesn't exist in the absence of bodily sensations; there are no non-sensory conscious states. But it is all too evident how our senses have been domesticated in a symbolic cultural atmosphere: tamed, separated, arranged in a revealing hierarchy. Vision, under the sign of modern linear perspective, reigns because it is the least proximal, most distancing of the senses. It has been the means by which the individual has been transformed into a spectator, the world into a spectacle, and the body an object or specimen. The primacy of the visual is no accident, for an undue elevation of sight not only situates the viewer outside what he or she sees, but enables the principle of control or domination at base. Sound or hearing as the acme of the senses would be much less adequate to domestication because it surrounds and penetrates the speaker as well as the listener.

Other sensual faculties are discounted far more. Smell, which loses its importance only when suppressed by culture, was once a vital means of connection with the world. The literature on cognition almost completely ignores the sense of smell, just as its role is now so circumscribed among humans. It is, after all, of little use for purposes of domination; considering how smell can so directly trigger even very distant memories, perhaps it is even a kind of anti-domination faculty. Lewis Thomas (1983) remarked that "The act of smelling something, anything, is remarkably like the act of thinking itself." And if it isn't it very likely used to be and should be again.

Tactile experiences or practices are another sensual area we have been expected to relinquish in favor of compensatory symbolic substitutes. The sense of touch has indeed been diminished in a synthetic, work-occupied, long-distance existence. There is little time for or emphasis on tactile stimulation or communication, even though such deprivation causes clearly negative outcomes. Nuances of sensitivity and tenderness become lost, and it is well known that infants and children who are seldom touched, carried and caressed are slow to develop and are often emotionally stunted.

Touching by definition involves feeling; to be "touched" is to feel emotionally moved, a reminder of the earlier potency of the tactile sense, as in the expression "keep in touch." The lessening of this category of sensuousness, among the rest, has had momentous consequences. Its renewal, in a re-sensitized, reunited world, will bring a likewise momentous improvement in living. As Tommy cried out, in The Who's rock opera of the same name, "See me, feel me, touch me, heal me...."

As with animals and plants, the land, the rivers, and human emotions, the senses come to be isolated and subdued. Aristotle's notion of a "proper" plan of the universe dictated that "each sense has its proper sphere."

Freud, Marcuse and others saw that civilization demands the sublimation or repression of the pleasures of the proximity senses so that the individual can be thus converted to an instrument of labor. Social control, via the network of the symbolic, very deliberately disempowers the body. An alienated counter-world, driven on to greater estrangement by ever-greater division of labor, humbles one's own somatic sensations and fundamentally distracts from the basic rhythms of one's life.

The definitive mind-body split, ascribed to Descartes' 17th century formulations, is the very hallmark of modern society. What has been referred to as the great "Cartesian anxiety" over the specter of intellectual and moral chaos, was resolved in favor of suppression of the sensual and passionate dimension of human existence. Again we see the domesticating urge underlying culture, the fear of not being in control, now indicting the senses with a vengeance. Henceforth science and technology have a theoretic license to proceed without limits, sensual knowledge having been effectively eradicated in terms of claims to truth or understanding.

Seeing what this bargain has wrought, a deep-seated reaction is dawning against the vast symbolic enterprise that weighs us down and invades every part of us. "If we do not 'come to our senses' soon," as David Howes (1991) judged, "we will have permanently forfeited the chance of constructing any meaningful alternatives to the pseudoexistence which passes for life in our current 'Civilization of the Image."' The task of critique may be, most centrally, to help us see what it will take to reach a place in which we are truly present to each other and to the world.

The first separation seems to have been the sense of time which brings a loss of being present to ourselves. The growth of this sense is all but indistinguishable from that of alienation itself. If, as Levi-Strauss put it, "the characteristic feature of the savage mind is its timelessness," living in the here and now becomes lost through the mediation of cultural interventions. Presentness is deferred by the symbolic, and this refusal of the contingent instant is the birth of time. We fall under the spell of what Eliade called the "terror of history" as representations effectively oppose the pull of immediate perceptual experience.

Mircea Eliade's Myth of the Eternal Return (1954) stresses the fear that all primitive societies have had of history, the passing of time. On the other hand, voices of civilization have tried to celebrate our immersion in this most basic cultural construct. Leroi-Gourhan (1964), for instance, saw in time orientation "perhaps the human act par excellence." Our perceptions have become so time-governed and time saturated that it is hard to imagine time's general absence: for the same reasons it is so difficult to see, at this point, a non-alienated, non-symbolic, undivided social existence.

History, according to Peterson and Goodall (1993), is marked by an amnesia about where we came from. Their stimulating Visions of Caliban also pointed out that our great forgetting may well have begun with language, the originating device of the symbolic world. Comparative linguist Mary LeCron Foster (1978, 1980) believes that language is perhaps less than 50,000 years old and arose with the first impulses toward art, ritual and social differentiation. Verbal symbolizing is the principal means of establishing, defining, and maintaining the cultural world and of structuring our very thinking.

As Hegel said somewhere, to question language is to question being. It is very important, however, to resist such overstatements and see the distinction, for one thing, between the cultural importance of language and its inherent limitations. To hold that we and the world are but linguistic creations is just another way of saying how pervasive and controlling is symbolic culture. But Hegel's claim goes much too far, and George Herbert Mead's assertion (1934) that to have a mind one must have a language is similarly hyperbolic and false.

Language transforms meaning and commumcation but is not synonymous with them. Thought, as Vendler (1967) understood, is essentially independent of language. Studies of patients and others lacking all aspects of speech and language demonstrate that the intellect remains powerful even in the absence of those elements (Lecours and Joanette 1980; Donald 1991). The claim that language greatly facilitates thought is likewise questionable, inasmuch as formal experiments with children and adults have not demonstrated it (G. Cohen 1977). Language is clearly not a necessary condition for thinking (see Kertesz 1988, Jansons 1988).

Verbal communication is part of the movement away from a face-to-face social reality, making feasible physical separateness. The word always stands between people who wish to connect with each other, facilitating the diminution of what need not be spoken to be said. That we have declined from a non-linguistic state begins to appear a sane point of view. This intuition may lie behind George W. Morgan's 1968 judgment that "Nothing, indeed, is more subject to depreciation and suspicion in our disenchanted world than the word."

Communication outside civilization involved all the senses, a condition linked to the key gatherer-hunter traits of openness and sharing. Literacy ushered us into the society of divided and reduced senses, and we take this sensory deprivation for granted as if it were a natural state, just as we take literacy for granted.

Culture and technology exist because of language. Many have seen speech, in turn. as a means of coordinating labor, that is, as an essential part of the technique of production. Language is critical for the formation of the rules of work and exchange accompanying division of labor, with the specializations and standardizations of nascent economy paralleling those of language. Now guided by symbolization, a new kind of thinking takes over, which realizes itself in culture and technology. The interdependence of language and technology is at least as obvious as that of language and culture, and results in an accelerating mastery over the natural world intrinsically similar to the control introduced over the once autonomous and sensuous individual.

Noam Chomsky, chief language theorist, commits a grave and reactionary error by portraying language as a "natural" aspect of "essential human nature," innate and independent of culture (1966b, 1992). His Cartesian perspective sees the mind as an abstract machine which is simply destined to turn out strings of symbols and manipulate them. Concepts like origins or alienation have no place in this barren techno-schema. Lieberman (1975) provides a concise and fundamental correction: "Human language could have evolved only in relation to the total human condition." noam chomsky

The original sense of the word define is, from Latin, to limit or bring to an end. Language seems often to close an experience, not to help ourselves be open to experience. When we dream, what happens is not expressed in words, just as those in love communicate most deeply without verbal symbolizing. What has been advanced by language that has really advanced the human spirit? In 1976, von Glasersfeld wondered "whether, at some future time, it will still seem so obvious that language has enhanced the survival of life on this planet."

Numerical symbolism is also of fundamental importance to the development of a cultural world. In many primitive societies it was and is considered unlucky to count living creatures, an anti-reification attitude related to the common primitive notion that to name another is to gain power over that person. Counting, like naming, is part of the domestication process. Division of labor lends itself to the quantifiable, as opposed to what is whole in itself, unique, not fragmented. Number is also necessary for the abstraction inherent in the exchange of commodities and is prerequisite to the take-off of science and technology. The urge to measure involves a deformed kind of knowledge that seeks control of its object, not understanding.

The sentiment that "the only way we truly apprehend things is through art" is a commonplace opinion, one which underlines our dependence on symbols and representation. "The fact that originally all art was 'sacred"' (Eliade, 1985), that is, belonging to a separate sphere, testifies to its original status or function.

Art is among the earliest forms of ideological and ritual expressiveness, developed along with religious observances designed to hold together a communal life that was beginning to fragment. It was a key means of facilitating social integration and economic differentiation (Dickson, 1990), probably by encoding information to register membership, status, and position (Lumsden and Wilson 1983). Prior to this time, somewhere during the Upper Paleolithic, devices for social cohesion were unnecessary; division of labor, separate roles, and territoriality seem to have been largely non-existent. As tensions and anxieties started to emerge in social life, art and the rest of culture arose with them in answer to their disturbing presence.

Art, like religion, arose from the original sense of disquiet, no doubt subtly but powerfully disturbing in its newness and its encroaching gradualness. In 1900 Hirn wrote of an early dissatisfaction that motivated the artistic search for a "fuller and deeper expression" as "compensation for new deficiencies of life." Cultural solutions, however, do not address the deeper dislocations that cultural "solutions" are themselves part of. Conversely, as commentators as diverse as Henry Miller and Theodor Adorno have concluded, there would be no need of art in a disalienated world. What art has ineffectively striven to capture and express would once again be a reality, the false antidote of culture forgotten.

Art is a language and so, evidently, is ritual, among the earliest cultural and symbolic institutions. Julia Kristeva (1989) commented on "the close relation of grammar to ritual," and Frits Staal's studies of Vedic ritual (1982,1986,1988) demonstrated to him that syntax can completely explain the form and meaning of ritual. As Chris Knight (1996) noted, speech and ritual are "interdependent aspects of one and the same symbolic domain."

Essential for the breakthrough of the cultural in human affairs, ritual is not only a means of aligning or prescribing emotions; it is also a formalization that is intimately linked with hierarchies and formal rule over individuals. All known tribal societies and early civilizations had hierarchical organizations built on or bound up with a ritual structure and matching conceptual system.

Examples of the link between ritual and inequality, developing even prior to agriculture, are widespread (Gans 1985, Conkey 1984). Rites serve a safety valve function for the discharge of tensions generated by emerging divisions in society and work to create and maintain social cohesion. Earlier on there was no need of devices to unify what was, in a non-division of labor context, still whole and unstratified.

It has often been said that the function of the symbol is to disclose structures of the real that are inaccessible to empirical observation. More to the point, in terms of the processes of culture and civilization, however, is Abner Cohen's contention (1981, 1993) that symbolism and ritual disguise, mystify and sanctify irksome duties and roles and thus make them seem desirable. Or, as David Parkin (1992) put it, the compulsory nature of ritual blunts the natural autonomy of individuals by placing them at the service of authority.

by H.R. Giger Ostensibly opposed to estrangement, the counterworld of public rites is arrayed against the current of historical direction. But, again, this is a delusion, since ritual facilitates the establishment of the cultural order, bedrock of alienated theory and practice. Ritual authority structures play an important part in the organization of production (division of labor) and actively further the coming of domestication. Symbolic categories are set up to control the wild and alien; thus the domination of women proceeds, a development brought to full realization with agriculture, when women become essentially beasts of burden and/or sexual objects. Part of this fundamental shift is movement toward territorialism and warfare; Johnson and Earle (1987) discussed the correspondence between this movement and the increased importance of ceremonialism.

According to James Shreeve (1995), "In the ethnographic record, wherever you get inequality, it is justified by invoking the sacred." Relatedly, all symbolism, says Eliade (1985), was originally religious symbolism. Social inequality seems to be accompanied by subjugation in the non-human sphere. M. Reinach (quoted in Radin, 1927) said, "thanks to magic, man takes the offensive against the objective world." Cassirer (1955) phrased it this way: "Nature yields nothing without ceremonies."

Out of ritual action arose the shaman, who was not only the first specialist because of his or her role in this area, but the first cultural practitioner in general. The earliest art was accomplished by shamans, as they assumed ideological leadership and designed the content of rituals.

This original specialist became the regulator of group emotions, and as the shaman's potency increased, there was a corresponding decrease in the psychic vitality of the rest of the group (Lommel, 1967). Centralized authority, and most likely religion too, grew out of the elevated position of the shaman. The specter of social complexity was incarnated in this individual who wielded symbolic power. Every head man and chief developed from the primacy of this figure in the lives of others in the group.

Religion, like art, contributed to a common symbolic grammar needed by the new social order and its fissures and anxieties. The word is based on the Latin religare, to tie or bind, and a Greek verbal stem denoting attentiveness to ritual, faithfulness to rules. Social integration, required for the first time, is evident as impetus to religion.

It is the answer to insecurities and tensions, promising resolution and transcendence by means of the symbolic. Religion finds no basis for its existence prior to the wrong turn taken toward culture and the civilized (domesticated). The American philosopher George Santayana summed it up well with, "Another world to live in is what we mean by religion."

Since Darwin's Descent of Man (1871) we have understood that human evolution greatly accelerated culturally at a time of insignificant physiological change. Thus symbolic being did not depend on waiting for the right gifts to evolve. We can now see, with Clive Gamble (1994), that intention in human action did not arrive with domestication/agriculture/civilization.

The native denizens of Africa's Kalahari Desert, as studied by Laurens van der Post (1976), lived in "a state of complete trust, dependence and interdependence with nature," which was "far kinder to them than any civilization ever was." Egalitarianism and sharing were the hallmark qualities of hunter-gatherer life (G. Isaac 1976, Ingold 1987, 1988, Erdal and Whiten 1992, etc.), which is more accurately called gatherer-hunter life, or the foraging mode. In fact, the great bulk of this diet consisted of plant material, and there is no conclusive evidence for hunting at all prior to the Upper Paleolithic (Binford 1984,1985).

An instructive look at contemporary primitive societies is Colin Turnbull's work (1961, 1965) on pygmies of the Ituri forest and their Bantu neighbors. The pygmies are foragers, living with no religion or culture. They are seen as immoral and ignorant by the agriculturalist Bantu, but enjoy much greater individualism and freedom. To the annoyance of the Bantu, the pygmies irreverently mock the solemn rites of the latter and their sense of sin. Rejecting territorialism, much less private holdings, they "move freely in an uncharted, unsystematized, unbounded social world," according to Mary Douglas (1973).

The vast era prior to the coming of symbolic being is an enormously prominent reality and a question mark to some. Commenting on this "period spanning more than a million years," Tim Ingold (1993) called it "one of the most profound enigmas known to archaeological science." But the longevity of this stable, non-cultural epoch has a simple explanation: as F. Goodman (1988) surmised, "It was such a harmonious existence, and such a successful adaptation, that it did not materially alter for many thousands of years."

Culture triumphed at last with domestication. The scope of life became narrower, more specialized, forcibly divorced from its previous grace and spontaneous liberty. The assault of a symbolic orientation upon the natural also had immediate outward results. Early rock drawings, found 125 miles from the nearest recorded trickle of water in the Sahara, show people swimming. Elephants were still somewhat common in some coastal Mediterranean zones in 500 B.C., wrote Herodotus. Historian Clive Ponting (1992) has shown that every civilization has diminished the health of its environment.

And cultivation definitely did not provide a higher-quality or more reliable food base (M.N. Cohen 1989, Walker and Shipman 1996), though it did introduce diseases of all kinds, almost completely unknown outside civilization (Burkett 1978, Freund 1982), and sexual inequality (M. Ehrenberg 1989b, A. Getty 1996). Frank Waters' Book of the Hopi (1963) gives us a stunning picture of unchecked division of labor and the poverty of the symbolic: "More and more they traded for things they didn't need, and the more goods they got, the more they wanted. This was very serious. For they did not realize they were drawing away, step by step, from the good life given them."

A pertinent chapter from The Time Before History (1996) by Colin Tudge bears a title that speaks volumes, "The End of Eden: Farming." Much of an underlying epistemological distinction is revealed in this contrast by Ingold (1993): "In short, whereas for farmers and herdsmen the tool is an instrument of control, for hunters and gatherers it would better be regarded as an instrument of revelation." And Horkheimer (1972) bears quoting, in terms of the psychic cost of domestication/domination of nature: "the destruction of the inner life is the penalty man has to pay for having no respect for any life other than his own." Violence directed outward is at the same time inflicted spiritually, and the outside world becomes transformed, debased, as surely as the perceptual field was subjected to fundamental redefinition. Nature certainly did not ordain civilization; quite the contrary.

Today it is fashionable, if not mandatory, to maintain that culture always was and always will be. Even though it is demonstrably the case that there was an extremely long non-symbolic human era, perhaps one hundred times as long as that of civilization, and that culture has gained only at the expense of nature, one has it from all sides that the symbolic — like alienation — is eternal. Thus questions of origins and destinations are meaningless. Nothing can be traced further than the semiotic in which everything is trapped.

But the limits of the dominant rationality and the costs of civilization are too starkly visible for us to accept this kind of cop-out. Since the ascendance of the symbolic humans have been trying, through participation in culture, to recover an authenticity we once lived. The constant urge or quest for the transcendent testifies that the hegemony of absence is a cultural constant. As Thomas McFarland (1987) found, "culture primarily witnesses the absence of meaning, not its presence."

Massive, unfulfilling consumption, within the dictates of production and social control, reigns as the chief everyday consolation for this absence of meaning, and culture is certainly itself a prime consumer choice. At base, it is division of labor that ordains our false and disabling symbolic totality. "The increase in specialization...," wrote Peter Lomas (1996), "undermines our confidence in our ordinary capacity to live."

We are caught in the cultural logic of objectification and the objectifying logic of culture, such that those who counsel new ritual and other representational forms as the route to a re-enchanted existence miss the point completely. More of what has failed for so long can hardly be the answer. Levi-Strauss (1978) referred to "a kind of wisdom [that primitive peoples] practiced spontaneously and the rejection of which, by the modern world, is the real madness."

happy demon Either the non-symbolizing health that once obtained, in all its dimensions, or, madness and death. Culture has led us to betray our own aboriginal spirit and wholeness, into an everworsening realm of synthetic, isolating, impoverished estrangement. Which is not to say that there are no more everyday pleasures, without which we would lose our humanness. But as our plight deepens, we glimpse how much must be erased for our redemption.


100 Horrors by dimitri

www.deoxy.org
SEVEN

Sunday, December 18, 2005

Same Old Story


The situation that we now must deal with is not one of seeking the answer, but of facing the answer. The answer has been found, it just happens to lie on the wrong side of the fence of social toleration and legality. We are thus forced into a strange little dance. Those professionally involved know that psychedelics are the most powerful instruments for the study of the mind that are possible to conceive, and yet these people often work in acedemia and must frantically try to ignore the fact that the answer has been placed in our hands.

Our situation is not unlike that of the sixteenth century when the telescope was invented and shattered the established paradigm of the heavens. The 1960s proved that we are not wise enough to take the psychedelic tools into our hands without a social and intellectual transformation. This transformation must begin now with each of us.

Terence McKenna

The Ultimate Revolution















Aldous Huxley
, March 20, 1962


"The Ultimate Revolution about which Mr. Huxley will speak today concerns itself with the development of new behavioral controls which operate directly upon the psychophysiological organism of man. that is, the capacity to replace external constraints with internal compulsions."

Play this page as a RAM playlist

Link: [1] [2]

From http://www.lib.berkeley.edu/MRC/audiofiles.html

"It seems to me that the nature of the ultimate revolution with which we are now faced is precisely this, that we are in process of developing a whole series of techniques which will enable the controlling oligarchy, who have always existed and presumably always will exist, to get people actually to love their servitude. This seems to me the ultimate malevolent revolution... This is a problem which has interested me for many years and about which I wrote, 30 years ago, a fable Brave New World which is essentially the account of a society making use of all the devices at that time available and some of the devices which I imagined to be possible, making use of them in order to, first of all, to standardize the population, to iron out inconvenient human differences, to create, so to say, mass produced models of human beings arranged in some kind of a scientific caste system. Since then I have continued to be extremely interested in this problem and I have noticed with increasing dismay that a number of the predictions which were purely fantastic when I made them 30 years ago have come true or seem in process of coming true. A number of techniques about which I talked seem to be here already, and that there seems to be a general movement in the direction of this kind of ultimate revolution, this method of control by which people can be made to enjoy a state of affairs which by any decent standard they ought not to enjoy. I mean the enjoyment of servitude."
A. Huxley
SEVEN

Thursday, December 15, 2005

R. Buckminster Fuller



"For the first time in history it is now possible to take care of everybody at a higher standard of living than any have ever known. Only ten years ago the ''more with less''technology reached the point where this could be done. All humanity now has the option of becoming enduringly successful." - Buckminster Fuller, 1980.

R. Buckminster Fuller, known by his friends as "Bucky", has undeniably been one of the key innovators in the 20th century. He is known as a philosopher, thinker, visionary, inventor, architect, engineer, mathematician, poet, cosmologist, and more.

Buckminster Fuller was probably one of the first futurists and global thinkers. He is the one who coined the term "Spaceship Earth", and his work has inspired and paved the way for many who came after him.

This is the Dymaxion Map of the world, developed by Fuller as the first world projection to show the continents on a flat surface without visible distortion. Furthermore, this view shows the earth as being essentially one island in one ocean.

Bucky was the person most responsible for making Synergy a common term. Much of his work was about exploring and creating synergy. He found synergy to be a basic principle of all interactive systems. He developed a subject called Synergetics, a "Geometry of Thinking".

Fuller is the inventor of the Geodesic dome, and was a pioneer in utilizing basic geometical shapes in design.

A key goal for Buckminster Fuller was the development of what he called "Comprehensive Anticipatory Design Science", which is the attempt to anticipate and solve humanity's major problems by providing "more and more life support for everybody, with less and less resources."

Fuller routinely demonstrated his ideas in what he called "artifacts", tangible prototypes or models of designs and principles.

The Buckminster Fuller Institute located in Santa Barbara is a repository and resource concerning his work. It can be contacted at: bfi@aol.com

List of Books by Buckminster Fuller

A good place to start would be either "Operating Manual for Spaceship Earth" or "Critical Path". But here is the full list:

  • "4-D Timelock", 1928.
  • "And It Came to Pass - Not to Stay", 1976.
  • "Earth, Inc.", 1973
  • "Education Automation", 1962
  • "Grunch of Giants", 1983
  • "Humans in Universe", 1983
  • "Ideas and Integrities". 1963
  • "Intuition", 1972
  • "Nine Chains to the Moon", 1963
  • "No More Second Hand God", 1963
  • "Operating Manual for Spaceship Earth", 1963.
  • "Synergetics: Explorations in the Geometry of Thinking", 1975.
  • "Synergetics 2: Futher Explorations in the Geometry of Thinking", 1979.
  • "Synergetic Stew: Explorations in Dymaxion Dining", 1982.
  • "Tetrascroll", 1975.
  • "Utopia or Oblivion: The Prospects of Humanity", 1969.

Other books and materials

  • "A Fuller Explanation" by Amy Edmonson, 1987.
  • "Artifacts of R.Buckminster Fuller" edited by James Ward, 1985.
  • "Buckminster Fuller: An autobiographic Monologue" by Robert Snyder, 1980.
  • "Bucky for Beginners" by Mary Laycock, 1984
  • "Cosmic Fishing: an Account of Writing Synergetics with Buckminster Fuller" by E.J. Applewhite, 1977.
  • "Fuller's Earth: A Day With Bucky and the Kids", edite by Richard Brenneman, 1984.
  • "Inventions: the patented works of R.Buckminster Fuller", 1983
  • "Synergetica Journal, Vol 1", Buckminster Fuller Institute, 1991.
  • "Synergetics Dictionary" compiled by E.J.Applewhite, 1986.
  • "I Seem To Be A Verb", 1970
SEVEN

Monday, December 12, 2005

A Monologue of Coercion


Seizing the Media

Given our daily exposure to a barrage of persuasive messages, monologues, sales pitches, come-ons, and uninformative hyper-sensational news, common sense and intimacy are tough enough of a struggle to maintain....

We can each see how extended exposure to television and mass media dulls people with a sense of numbness and nausea. From every public space a monologue of coercion penetrates our senses and rapes our attention. Wherever we look, wherever we listen, wherever we go: the pornography of billboards, bus side placards, subway cards, glaring storefront signs and displays, the glut of junk mail, stupid fly-by beach planes and blimps, coupons, obnoxious bumper stickers and breast pins, embarrassing service forms, plastic banners and ribbons, absurd parades, street-corner handouts, windsheild wiper flyers, matchbook ads, business cards, screaming radios, the daily papers, every nanosecond of television, the package wrapped around everything we buy - from the label in our underwear to the robot computer that calls us in our homes - only the upper atmosphere and the ocean floor offer any sanctuary from America's ecology of coercion. At every turn the monologues drone on, imbedding the psychological mutagens that coax us to become pathetic customers and unquestioning flag wavers. At every turn we are under subtle attack.

The media serve the interests of the State and other corporations, but never the interests of the public. The media's screen of agression and seduction is designed to mesmerize and captivate the largest possible sector of population whose attention is then sold like scrap metal to advertisers and gang raped by their slogans, jingles, and manic images. Protected by an uncrossable media moat, agents of the State profit from war and relax behind a web of information laws, censorship powers, and vapid explanations that swat the public of detailed intelligence and mass resistance.

So long as we do not control our own government, our own state, and our own broadcast media - the mirror with which we reflect on the reality of lives - we will continue to be forced to see fun-house mirror distortions of ourselves projected onto a dumpster of products that promise to make us each desirable, sophisticated, and correct. At every turn we are under attack.

Incest Of Corporations And The State

The State controls information, debt, and violence and targets collective identity. Corporations control commodification, work, and media and target individual identity. Both deploy the same psychological strategies for imbedding the public with their messages and directives. Never were their common strategies more transparent than when US disinformation and propaganga service, the infamous USIA, decided to step-up its psy-warfare campaign against the people of Cuba in the Spring of 1989. Until then, attempts to psychologically destabalize the Cuban people were comcentrated in the broadcasts of Radio Marti, the Florida based, Government owned pirate radio station that to this day illegally transmits propaganda and disinformation into domestic Cuban radios. In the Spring of 1989, the USIA added images to their psy-war arsenal and began transmitting tele-broadcasts from a hot air balloon controlled from the Key West signals station. Sibling of Radio Marti, the project was dubbed TV Marti.

A few things are to be held in mind here. First, after the Creel Commission saturated Americans with pro-war propaganda during WWI, the level of public disgust was so intense that laws were enacted forbidding the State from ever subjecting the public to its propaganda again. Thus, the USIA's Voice of America propaganda broadcasts that we can hear today in Amsterdam, Berlin, and Prague, we are protected against hearing here on our own turf. Propaganda is so disorienting and confusing that Americans have actually passed laws forbidding it here in its crude verifiable forms.

The fact that we must now face and destroy is that advertising, entertainment, and news have become the government's Trojan Horse into the psyche of the public. What was TV Marti's first propaganda broadcast aimed at the minds of the Cuban people? MTV. Think about it: The USIA's first broadcast of tele-propaganda delivered MTV's corporate rock videos! At every turn we are under attack.

State                                   Private Media
--------------------------------- -----------------------------
1. Representation is reality. 1. Representation is reality.
2. Secrecy is security. 2. Ownership is identity.
3. Violence empowers the violent. 3. To consume is to connect.

The assault of spectacle media is two-fold: while immersing the public in a barrage of coercive messages, commercial media serves as an accomplice to political felony, murder, and treason by censoring the details and dimensions of State activity from democratic processes and public intelligence. Culture, awareness, and collective common power are what we surrender for an internal economy that is dependent on the relentless preparation and sale of public attention for penetration by corporate and State advertising.

Idiot the Wise stands in solidarity with all groups and individuals who act in opposition to this situation and whose work assists omnicultural vocality, public production libraries, public media and open country....

Tuesday, December 06, 2005

The Tyranny of Time


ClockSky
Originally uploaded by monkeywobble.
In no characteristic is existing society in the West so sharply distinguished from the earlier societies, whether of Europe or the East, than in its conception of time. To the ancient Chinese or Greek, to the Arab herdsman or Mexican peon of today, time is represented in the cyclic processes of nature, the alternation of day and night, the passage from season to season. The nomads and farmers measured and still measure their day from sunrise to sunset, and their year in terms of the seedtime and harvest, of the falling leaf and the ice thawing on the lakes and rivers. The farmer worked according to the elements, the craftsman for so long as he felt it necessary to perfect his product. Time was seen in a process of natural change, and men were not concerned in its exact measurement. For this reason civilisations highly developed in other respects had the most primitive means of measuring time, the hour glass with it's trickling sand or dripping water, the sundial, useless on a dull day, and the candle or lamp whose unburnt remnant of oil or wax indicated the hours. All these devices where approximate and inexact, and were often rendered unreliable by the weather or the personal laziness of the tender. Nowhere in the ancient or medieval world were more than a tiny minority of men concerned with time in the terms of mathematical exactitude.

Modern, Western man, however lives in a world which runs according to the mechanical and mathematical symbols of clock time. The clock dictates his movements and inhibits his actions. The clock turns time from a process of nature into a commodity that can be measured and bought and sold like soap or sultanas. And because, without some means of exact time keeping, industrial capitalism could never have developed and could not continue to exploit the workers, the clock represents an element of mechanical tyranny in the lives of modern men more potent than any individual exploiter or any other machine. It is valuable to trace the historical process by which the clock influenced the social development of modern European civilisation.

It is a frequent circumstance of history that a culture or civilisation develops the device which will later be used for its destruction. The ancient Chinese, for example, invented gunpowder, which was developed by the military experts of the West and eventually led to the Chinese civilisation itself being destroyed by the high explosives of modern warfare. Similarly, the supreme achievement of the ingenuity of the craftsmen in the medieval cities of Europe was the invention of the mechanical clock, which, with it's revolutionary alteration of the concept of time, materially assisted the growth of exploiting capitalism and the destruction of medieval culture.

There is a tradition that the clock appeared in the eleventh century, as a device for ringing bells at regular intervals in the monasteries which, with the regimented life they imposed on their inmates, were the closest social approximation in the middle ages to the factory of today. The first authenticated clock, however, appeared in the thirteenth century, and it was not until the fourteenth century that clocks became common ornaments of the public buildings in the German cities.

These early clocks, operated by weights, were not particularly accurate, and it was not until the sixteenth century that any great reliability was obtained. In England, for instance the clock at Hampton Court, made in 1540, is said to have been the first accurate clock in the country. And even the accuracy of the sixteenth century clocks are relative, for they were only equipped with hour hands. The idea of measuring time in minutes and seconds had been thought out by the early mathematicians as far back as the fourteenth century, but it was not until the invention of the pendulum in 1657 that sufficient accuracy was attained to permit the addition of a minute hand, and the second hand did not appear until the eighteenth century. These two centuries, it should be observed, were those in which capitalism grew to such an extent that it was able to take advantage of the industrial revolution in technique in order to establish its domination over society.

The clock, as Lewis Mumford has pointed out, represents the key machine of the machine age, both for its influence on technology and its influence on the habits of men. Technically, the clock was the first really automatic machine that attained any importance in the life of men. Previous to its invention, the common machines were of such a nature that their operation depended on some external and unreliable force, such as human or animal muscles, water or wind. It is true that the Greeks had invented a number of primitive automatic machines, but these where used, like Hero's steam engine, for obtaining 'supernatural' effects in the temples or for amusing the tyrants of Levantine cities. But the clock was the first automatic machine that attained a public importance and a social function. Clock-making became the industry from which men learnt the elements of machine making and gained the technical skill that was to produce the complicated machinery of the industrial revolution.

Socially the clock had a more radical influence than any other machine, in that it was the means by which the regularisation and regimentation of life necessary for an exploiting system of industry could best be attained. The clock provided the means by which time - a category so elusive that no philosophy has yet determined its nature - could be measured concretely in more tangible forms of space provided by the circumference of a clock dial. Time as duration became disregarded, and men began to talk and think always of 'lengths' of time, just as if they were talking of lengths of calico. And time, being now measurable in mathematical symbols, became regarded as a commodity that could be bought and sold in the same way as any other commodity.

The new capitalists, in particular, became rabidly time-conscious. Time, here symbolising the labour of workers, was regarded by them almost as if it were the chief raw material of industry. 'Time is money' became on of the key slogans of capitalist ideology, and the timekeeper was the most significant of the new types of official introduced by the capitalist dispensation.

in the early factories the employers went so far as to manipulate their clocks or sound their factory whistles at the wrong times in order to defraud their workers a little of this valuable new commodity. Later such practices became less frequent, but the influence of the clock imposed a regularity on the lives of the majority of men which had previously been known only in the monastery. Men actually became like clocks, acting with a repetitive regularity which had no resemblance to the rhythmic life of a natural being. They became, as the Victorian phrase put it, 'as regular as clockwork'. Only in the country districts where the natural lives of animals and plants and the elements still dominated life, did any large proportion of the population fail to succumb to the deadly tick of monotony.

At first this new attitude to time, this new regularity of life, was imposed by the clock-owning masters on the unwilling poor. The factory slave reacted in his spare time by living with a chaotic irregularity which characterised the gin-sodden slums of early nineteenth century industrialism. Men fled to the timeless world of drink or Methodist inspiration. But gradually the idea of regularity spread downwards among the workers. Nineteenth century religion and morality played their part by proclaiming the sin of 'wasting time'. The introduction of mass-produced watches and clocks in the 1850's spread time-consciousness among those who had previously merely reacted to the stimulus of the knocker-up or the factory whistle. In the church and in the school, in the office and the workshop, punctuality was held up as the greatest of the virtues.

Out of this slavish dependence on mechanical time which spread insidiously into every class in the nineteenth century there grew up the demoralising regimentation of life which characterises factory work today. The man who fails to conform faces social disapproval and economic ruin. If he is late at the factory the worker will lose his job or even, at the present day [1944 - while wartime regulations were in force], find himself in prison. Hurried meals, the regular morning and evening scramble for trains or buses, the strain of having to work to time schedules, all contribute to digestive and nervous disorders, to ruin health and shorten life.

Nor does the financial imposition of regularity tend, in the long run, to greater efficiency. Indeed, the quality of the product is usually much poorer, because the employer, regarding time as a commodity which he has to pay for, forces the operative to maintain such a speed that his work must necessarily be skimped. Quantity rather than quality becomes the criterion, the enjoyment is taken out of work itself, and the worker in his turn becomes a 'clock-watcher', concerned only when he will be able to escape to the scanty and monotonous leisure of industrial society, in which he 'kills time' by cramming in as much time-scheduled and mechanised enjoyment of cinema, radio and newspapers as his wage packet and his tiredness allow. Only if he is willing to accept of the hazards of living by his faith or his wits can the man without money avoid living as a slave to the clock.

The problem of the clock is, in general, similar to that of the machine. Mechanical time is valuable as a means of co-ordination of activities in a highly developed society, just as the machine is valuable as a means of reducing unnecessary labour to the minimum. Both are valuable for the contribution they make to the smooth running of society, and should be used insofar as they assist men to co-operate efficiently and to eliminate monotonous toil and social confusion. But neither should be allowed to dominate mens lives as they do today.

Now the movement of the clock sets the tempo men's lives - they become the servant of the concept of time which they themselves have made, and are held in fear, like Frankenstein by his own monster. In a sane and free society such an arbitrary domination of man's functions by either clock or machine would obviously be out of the question. The domination of man by the creation of man is even more ridiculous than the domination of man by man. Mechanical time would be relegated to its true function of a means of reference and co-ordination, and men would return again to a balance view of life no longer dominated by the worship of the clock. Complete liberty implies freedom from the tyranny of abstractions as well as from the rule of men.

First published in War Commentary - For Anarchism mid-march 1944.

Idiot the Wise thinks also that the tyranny of time creeps into our lives everyday in ways that we can't change... for instance the free host of this web site won't allow this post to be read by you without a "timestamp".
--SEVEN

Sunday, December 04, 2005

EpheMurals


www.grafwriter.blogspot.com


Graffiti by its nature has a short shelf-life and the borderline legitimacy of its creation leaves its artists on the fringe, and often without financial support or commission. Unlike institutionalized and sponsored art forms, graffiti artists are set apart by their ability and talent for producing, quickly and under pressure, creations that would otherwise require the investment of time and resources. Thus it can be inferred that institutional artworks - those meticulously planned and carried out in undisturbed daylight - are not a hurried spontaneity, and their categorization as conveyers of authentic messages may not play out.


Fine examples of documentary information derived from graffiti can be seen all over the world: Hieroglyphic writings carved into the walls of structures from the time of the Egyptian Pharaohs; Hamorabi writings on a Babylon grave during the second century B.C.; the scripts scratched into the walls of Masada; the writings on the walls of the Holy Sepulcher Church in the Old City of Jerusalem; and the walls of almost any ancient building of historic importance. Also of significance are the fresco paintings discovered in the Minoan castles on the Greek islands of Santorini and Crete, and the wall paintings in the Spanish cave Altamir, and in Lascaux in France, where cavemen of the Paleolithic era depicted animals in colors drawn from the earth.

The recognition of graffiti as a legitimate artistic endeavor has allowed the liberation of prominent mural painters, and their ranking among accepted artists while remaining as the voice of rebellion. The transformation in labeling from "vandals" to "street artists", means that works can now be commissioned by establishments and authorities. Yet while this institutionalization may enable the utilization of the talents of graffiti artists to temporarily conceal a decrepit urban landscape, it also reduces the authenticity of the art form. A fine example of this process is the huge mural painted by a group of French street artists on the wall of a residential building on Agrippas Street in Jerusalem. This "graffiti" was recently inaugurated by the city's mayor and council members. Although the painting demonstrates technical skill, it is doubtful that its synthetic message expresses the authentic color which characterizes the adjacent Mahne Yehuda street-market.

Today's graffiti artists have access to a range of high-tech aids, as well as home printing for the production of flyers and announcements in a very short time with little investment. The most popular techniques borrow from the Pop Art of the sixties the telescopic enlargement of comic drawings (Roy Liechtenstein), science fiction or just regular perverse contents flavored by dark humor. Because of the obvious limitations in showing such pieces in conventional galleries, virtual museums are being established on web sites, purpose-built for exhibiting thousands of artworks. There are also virtual "walls" for graffiti fans and amateur artists who invite anyone interested to write their message and post it on-line.

The most prominent of street artists in Israel is artist Rami Meiri, graduate of the Avni Institute, who gained public recognition through a number of murals scattered throughout Tel Aviv. His paintings excel in their expression of spatial depth and realistic content, but the relevance they hold to the term graffiti is limited. Despite the fact that his "canvas" is dictated by public officials, Meiri sees in his works a personal expression and is unwilling to compromise the content of his paintings. He makes a proposal, the municipality accepts it - or not. Lately, a dispute between Meiri and the mayor meant that Tel Aviv is lost to him as a canvas, and he is seeking new horizons in the suburbs.

Although not every writing on the wall is a work of art, and not all street art is graffiti, it is important to mention a number of relatives. Billboard advertisements, some of which have adopted the authenticity of the spontaneous graffiti message; underground train ads which leave no space for intruders; giant billboards covering entire spans of centrally located buildings, from which beautiful models smile down upon the city; the huge protective canvases covering buildings under construction or refurbishment, and finally the eternal sidewalk artists who spend hours on their knees painting optimistic chalk drawings to win the momentary admiration of passersby.

Although graffiti expressions, especially the institutionalized ones, are largely free of vandalism these days, graffiti still reveals a longing for an alternative reality, a dynamic dimension and a nostalgia where none exists.

Thursday, December 01, 2005

Two Brave New Worlds


Two of the most influential visionaries of our time: Aldous Huxley and Albert Hoffman...
even though the visions of Aldous Huxley live presently thru text only, his perceptions are continuing to be echoed throughout a increasingly aware global culture partly due to himself and other visionary scientist such as Albert Hoffman who accidentally discovered LSD in 1939. He became the first person to discover its psychedelic effects on April 16, 1943. Many of us acknowledge the profound contribution his discovery has made to our own lives, our sense of self, our values, our relationships with others and the larger world, and our hopes for the future of mankind itself.
for over 101 combined years these two have taught and still continue to possess learned lessons that all of humanity at large will find crucial.....
the following is a reprint from:
Propaganda in a Democratic Society

by Aldous Huxley



"The doctrines of Europe," Jefferson wrote, "were that men in numerous associations cannot be restrained within the limits of order and justice, except by forces physical and moral wielded over them by authorities independent of their will. . . . We (the founders of the new American democracy) believe that man was a rational animal, endowed by nature with rights, and with an innate sense of justice, and that he could be restrained from wrong, and protected in right, by moderate powers, confided to persons of his own choice and held to their duties by dependence on his own will." To post-Freudian ears, this kind of language seems touchingly quaint and ingenuous. Human beings are a good deal less rational and innately just than the optimists of the eighteenth century supposed. On the other hand they are neither so morally blind nor so hopelessly unreasonable as the pessimists of the twentienth would have us believe. In spite of the Id and the Unconscious, in spite of endemic neurosis and the prevalence of low IQ's, most men and women are probably decent enough and sensible enough to be trusted with the direction of their own destinies.
Democratic institutions are devices for reconciling social order with individual freedom and initiative, and for making the immediate power of a country's rulers subject to the ultimate power of the ruled. The fact that, in Western Europe and America, these devices have worked, all things considered, not too badly is proof enough that the eighteenth century optimists were not entirely wrong. Given a fair chance, I repeat; for the fair chance is an indispensible prerequisite. No people that passes abruptly from a state of subservience under the rule of a despot to the completely unfamiliar state of political independence can be said to have a fair chance of being able to govern itself democratically. Liberalism flourishes in an atmosphere of prosperity and declines as declining prosperity makes it necessary for the government to intervene ever more frequently and drastically in the affairs of its subjects. Over-population and over-organization are two conditions which ... deprive a society of a fair chance of making democratic institutions work effectively. We see, then, that there are certain historical, economic, demographic and technological conditions which make it very hard for Jefferson's rational animals, endowed by nature with inalienable rights and an innate sense of justice, to exercise their reason, claim their rights and act justly within a democratically organized society. We in the West have been supremely fortunate in having been given a fair chance of making the great experiment in self-government. Unfortunately, it now looks as though , owing to recent changes in our circumstances, this infinitely precious fair chance were being, little by little, taken away from us. And this, of course, is not the whole story. These blind impersonal forces are not the only enemies of individual liberty and democratic institutions. There are also forces of another, less abstract character, forces that can be deliberately used by power-seeking individuals whose aim is to establish partial or complete control over their fellows. Fifty years ago, when I was a boy, it seemed completely self-evident that the bad old days were over, that torture and massacre, slavery, and the persecution of heretics, were things of the past. Among people who wore top hats, traveled in trains, and took a bath every morning such horrors were simply out of the question. After all, we were living in the twentieth century. A few years later these people who took daily baths and went to church in top hats were committing atrocities on a scale undreamed of by the benighted Africans and Asiatics. In the light of recent history it would be foolish to suppose that this sort of thing cannot happen again. It can and, no doubt, it will. But in the immediate future there is some reason to believe that the punitive measures of 1984 will give place to the reinforcements and manipulations of Brave New World.

There are two kinds of propaganda - rational propaganda in favor of action that is consonant with the enlightened self-interest of those who make it and those to whom it is addressed, and non-rational propaganda that is not consonant with anybody's enlightened self-interest, but is dictated by, and appeals to, passion. Were the actions of individuals are concerned there are motives more exhalted than enlightened self-interest, but where collective action has to be taken in the fields of politics and economics, enlightened self-interest is probably the highest of effective motives. If politicians and their constituents always acted to promote their own or their country's long-range self-interest, this world would be an earthly paradise. As it is, they often act against their own interests, merely to gratify their least credible passions; the world, in consequence, is a place of misery. Propaganda in favor of action that is consonant with enlightened self-interest appeals to reason by means of logical arguements based upon the best available evidence fully and honestly set forth. Propaganda in favor of action dictated by the impulses that are below self-interest offers false, garbled or incomplete evidence, avoids logical argument and seeks to influence its victims by the mere repetition of catchwords, by the furious denunciation of foreign or domestic scapegoats, and by cunningly associating the lowest passions with the highest ideals, so that atrocities come to be perpetrated in the name of God and the most cynical kind of Realpolitik is treated as a matter of religious principle and patriotic duty.

In John Dewey's words, "a renewal of faith in common human nature, in its potentialities in general, and in its power in particular to respond to reason and truth, is a surer bulwark against totalitarianism than a demonstration of material success or a devout worship of special legal and political forms." The power to respond to reason and truth exists in all of us. But so, unfortunately, does the tendency to respond to unreason and falsehood - particularly in those cases where falsehood evokes some enjoyable emotion, or where the appeal to unreason strikes some answering chord in the primitive, subhuman depths of our being. In certain feilds of activity men have learned to respond to reason and truth pretty consistently. The authors of learned articles do not appeal to the passions of their fellow scientists and technologists. They set forth what, to the best of their knowledge, is the truth about some particular aspect of reality, they use reason to explain the facts they have observed and they support their point of view with arguements that appeal to reason in other people. All this is fairly easy in the feilds of physical science and technology. It is much more difficult in the fields of politics and religion and ethics. Here the relevant facts often elude us. As for the meaning of the facts, that of course depends upon the particular system of ideas, in terms of which you choose to interpret them. And these are not the only difficulties that confront the rational truth-seeker. In public and in private life, it often happens that there is simply no time to collect the relevant facts or to weigh their significance. We are forced to act on insufficient evidence and by a light considerably less steady than that of logic. With the best will in the world, we cannot always be completely truthful or consistently rational. All that is in our power is to be as truthful and rational as circumstances permit us to be, and to respond as well as we can to the limited truth and imperfect reasoning offered for our consideration by others.

"If a nation expects to be ignorant and free," said Jefferson, "it expects what never was and never will be. . . . The people cannot be safe without information. Where the press is free, and every man able to read, all is safe." Across the Atlantic another passionate believer in reason was thinking about the same time, in almost precisely similar terms. Here is what John Stuart Mill wrote of his father, the utilitarian philosopher, James Mill: "So complete was his reliance upon the influence of reason over the minds of mankind, whenever it is allowed to reach them, that he felt as if all would be gained, if the whole population were able to read, and if all sorts of opinions were allowed to be addressed to them by word or in writing, and if by the sufferage they could nominate a legislature to give effect to the opinions they had adopted." All is safe, all would be gained! Once more we hear the note of eighteenth-century optimism. Jefferson , it is true, was a realist as well as an optimist. He knew by bitter experience that the freedom of the press can be shamefully abused. "Nothing," he declared, "can now be believed which is seen in a newspaper." And yet, he insisted (and we can only agree with him), "within the pale of truth, the press is a noble institution, equally the friend of science and civil liberty." Mass communication, in a word, is neither good nor bad; it is simply a force and, like any other force, it can be used either well or ill. Used in one way, the press, the radio and the cinema are indispensible to the survival of democracy. Used in another way, they are among the most powerful weapons in the dictator's armory. In the field of mass communications as in almost every other field of enterprise, technological progress has hurt the Little Man and helped the Big Man. As lately as fifty years ago, every democratic country could boast a great number of small journals and local newspapers. Thousands of country editors expressed thousands of independent opinions. Somewhere or other almost anybody could get almost anything printed,. Today the press is still legally free; but most of the little papers have disappeared. The cost of wood pulp, of modern printing machinery and of syndicated news is too high for the Little Man. In the totalitarian East there is political censorship, and the media of mass communication are controlled by the State. In the democratic West there is economic censorship and the media of mass communication are controlled by members of the Power Elite. Censorship by rising costs and the concentration of communication power in the hands of a few big concerns is less objectionable than State ownership and government propaganda; but certainly it is not something of which a Jeffersonian democrat could possibly approve.

In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or it might be false. They did not forsee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions.

In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances, though infrequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladitorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distraction now provided by newspapers and magazines, by radio, television and the cinema. In Brave New World non-stop distractions of the most fascinating nature (the feelies, orgy-porgy, centrifugal bumblepuppy) are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase, "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in the calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metephysical fantasy, will find it hard to resist the encroachments of those who would manipulate and control it.

In their propaganda today's dictators rely for the most part on repetition, supression and rationalization - the repetition of catchwords which they wish to be accepted as true, the supression of facts which they wish to be ignored, the arousal and rationalization of passions which may be used in the interests of the Party or the State. As the art and science of manipulation come to be better understood, the dictators of the future will doubtless learn to combine these techniques with the non-stop distractions which, in the West, are now threatening to drown in a sea of irrelevance the rational propaganda essential to the maintenance of individual liberty and the survival of democratic institutions.
A.Huxley
Seven

...And an update about Albert Hoffman...

----Dr. Albert Hofmann celebrated his 99th birthday on January 11, 2005! Dr. Hofmann first synthesized LSD-25 in 1938 while working at Sandoz Laboratories in Basel Switzerland. He became the first person to discover its psychedelic effects on April 16, 1943.

MAPS is working hard to start FDA-approved research with LSD and psilocybin in subjects with cluster headaches so that Dr. Hofmann can witness the resumption of LSD research and the beginnings of the transformation of his 'problem child' into a 'wonder child'. MAPS raised funds for this research by selling 50 copies of Dean Chamberlain's portrait of Albert, which Albert has signed.(See Dean's entire series of portraits of psychedelic pioneers.) MAPS is now selling a limited edition of 25 larger-size prints of Dean's portrait of Albert, also signed by Albert.

Dr. Hofmann's book LSD - My Problem Child is available online at MAPS in English and Russian translations.MAPS is funding a Chinese translation, which we will have available well before Albert's 100th birthday.

Many of us acknowledge the profound contribution his discovery has made to our own lives, our sense of self, our values, our relationships with others and the larger world, and our hopes for the future of mankind itself.

You can see some photos taken at Albert's 98th birthday celebration here and listen to Rolf Verres' piano performance at the party here. You can also listen to a recording of MAPS' 99th birthday conference call with Dr. Hofmann here. Drs. Charles Grob, Michael Mithoefer, John Halpern, Andrew Sewell and Rick Doblin participated.

You can read an article, Reflections on Albert Hofmann's Epistemology of Consciousness, by Mark Schroll, Ph.D.

Good health and godspeed Albert! May your problem child yet fullfill its promise as the prodigy we know it to be.